Is it sacrilege to declare that the best-looking cinéma set in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of light as sharp https://films81234.nizarblog.com/32874885/sur-jeux-vidéo