With typical Godardian insouciance it’s all filmed in contrasty black-and-white, in and about up to date Paris, but its enduring attractiveness is The mix of don’t-treatment larkishness, amiable big lug Eddie Constantine carrying out his challenging-dude matter, and a profound underlying seriousness drawing cogent connections among the brutality of fascism https://www.youtube.com/watch?v=2CNcEGH-WWM&t